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      <image:title>About</image:title>
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    <loc>https://www.margueritebailey.com/blue-on-blue-on-blue</loc>
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      <image:title>Blue on Blue on Blue</image:title>
      <image:caption>I’ve lived by the ocean &amp; I’ve lived by the highway and both can sound like to other in the same way that squinting can make everything seem grey 2018 Watercolor made from found &amp; gifted pigments on handmade paper sourced from The New York Times, grocery catalogs, and book trimmings. 35.5 inches x 36.5 inches</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5b50fc141aef1d92a323b4eb/1534875465026-1FFCI5FRDXVLWLI8HNNE/nearlyanewday.jpg</image:loc>
      <image:title>Blue on Blue on Blue</image:title>
      <image:caption>Nearly a new day, 2018 Watercolor made from found &amp; gifted pigments on handmade paper sourced from The New York Times, and book trimmings. 35.5 inches x 36.5 inches</image:caption>
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      <image:title>Blue on Blue on Blue</image:title>
      <image:caption>Night or morning or both, 2018 Watercolor made from found &amp; gifted pigments on handmade paper sourced from The New York Times, grocery catalogs, and book trimmings. 35.5 inches x 36.5 inches</image:caption>
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      <image:title>Blue on Blue on Blue</image:title>
      <image:caption>Let, 2018 Handmade paper and paint from collected pigment, made using paint brushes from my hair. 18.5 x 26 inches</image:caption>
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      <image:title>Blue on Blue on Blue</image:title>
      <image:caption>Sleeping Dogs, 2018 Watercolor made from found &amp; gifted pigments on handmade paper sourced from The New York Times, grocery catalogs, and book trimmings. 35.5 inches x 36.5 inches</image:caption>
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      <image:title>Blue on Blue on Blue</image:title>
      <image:caption>Lie, 2018 Handmade paper and paint from collected pigment, made using paint brushes from my hair. 18.5 x 26 inches</image:caption>
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      <image:title>Blue on Blue on Blue</image:title>
      <image:caption>oh to be young, oh to be young and asleep, 2018 Handmade paper and paint from collected pigment, made using paint brushes from my hair. 18.5 x 26 inches</image:caption>
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      <image:title>Blue on Blue on Blue</image:title>
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      <image:title>Blue on Blue on Blue</image:title>
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    <loc>https://www.margueritebailey.com/again</loc>
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    <lastmod>2026-03-23</lastmod>
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      <image:title>Again and Again (I daydream and work)</image:title>
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      <image:title>Again and Again (I daydream and work)</image:title>
      <image:caption>Replacements for what I broke in Again and again (I daydream and work) Plaster and egg cartons 13.5 x 12 x 12 inches, dimensions are predicted to vary image courtesy of Kory Kingsley</image:caption>
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    <loc>https://www.margueritebailey.com/home</loc>
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    <lastmod>2026-03-24</lastmod>
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    <loc>https://www.margueritebailey.com/2018</loc>
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    <lastmod>2026-03-23</lastmod>
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      <image:title>Paintings &amp; Prints, 2018</image:title>
      <image:caption>Pink roses til the sun sets, now they’re dark plum. Anyways, 2018-2019 oil paint from Gamblin’s archive on canvas from a one-off gig 36 x 24 inches</image:caption>
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      <image:title>Paintings &amp; Prints, 2018 - A Lover, A Clam, 2017 (Copy)</image:title>
      <image:caption>A Lover, A Clam, 2017 oil &amp; graphite on canvas</image:caption>
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      <image:title>Paintings &amp; Prints, 2018</image:title>
      <image:caption>I would much rather some voluntary check than this king’s walk (it’s all in good humor, all in good fun) 2019 oil paint from Gamblin’s archive on canvas from a one-off gig 36 x 24 inches</image:caption>
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      <image:title>Paintings &amp; Prints, 2018 - Beyond the Plain (Red Light Dissipates as Fast as Blue), 2018 (Copy)</image:title>
      <image:caption>Beyond the Plain (Red Light Dissipates as Fast as Blue), 2018 screenprint on coffee stained paper</image:caption>
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      <image:title>Paintings &amp; Prints, 2018 - Strange Sunset, 2018 (Copy)</image:title>
      <image:caption>Strange Sunset, 2018 oil &amp; graphite on canvas</image:caption>
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      <image:title>Paintings &amp; Prints, 2018 - (not for a place, just a feeling), 2016-2018 (Copy)</image:title>
      <image:caption>(not for a place, just a feeling), 2016-2018 oil on canvas</image:caption>
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      <image:title>Paintings &amp; Prints, 2018 - The Hum of a Halogen Light Burning Out, 2017 (Copy)</image:title>
      <image:caption>The Hum of a Halogen Light Burning Out, 2017 Oil &amp; graphite on paper</image:caption>
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    <loc>https://www.margueritebailey.com/paperpaintings</loc>
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    <lastmod>2026-03-23</lastmod>
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      <image:title>Everything is everything - 2017-2018 (Copy)</image:title>
      <image:caption>2017-2018 Paintings made from handmade paper with natural dyes, paint brushes from my hair and found wood, botanical inks and watercolors made from found rock and plant matter</image:caption>
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      <image:title>Everything is everything</image:title>
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      <image:title>Everything is everything</image:title>
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      <image:title>Everything is everything</image:title>
      <image:caption>An art object can be seen, heard, touched, tasted, smelled, and even perceived in an extraordinary realm – i.e. understood through the six senses. To redact the art object into the realm of language, complicates the true essence and reception of the object. However, I will say that there are three aspects of the work that can be identified and expanded upon using language: all matter is ephemeral art is slowness and a record of thinking a deep connection to material, through process, provides a bridge to the dematerial</image:caption>
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      <image:title>Everything is everything</image:title>
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    <lastmod>2026-03-24</lastmod>
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